Ben Roberts

An interesting Call For Papers from Bram Ieven at Utrecht for an event called ‘Waiting for the Political Moment‘:

CALL FOR PAPERS

WAITING FOR THE POLITICAL MOMENT

Utrecht & Rotterdam, June 17-19, 2010

Convened by Frans-Willem Korten and Bram Ieven

Sponsored by Stichting Letteren en Samenleving Rotterdam, Erasmus Trust Fund Rotterdam, the Centre for the Humanities and the OGC at Utrecht University, The Faculty of History and Art of the Erasmus University Rotterdam, and the City of Rotterdam.

‘Hamm: What’s happening?

Clov: Something is taking its course.’

Beckett, Endgame

Over the last decades, several political and cultural theorists have argued that the domain of politics, and even the very idea of the political, has been hollowed out. Politics today appears to have lost its proper status or has been submerged in the more powerful and encompassing infrastructures of late capitalism. Instead of frantically affirming or denying the emptying-out of the political, this conference traces the appropriation of the political by apparatuses of state, church, capitalism and media in modernity to look for ways to reinvigorate it. To do so, the conference focuses on a key concept: the political moment – the moment in which political agency becomes possible, as well as the formative role of the moment in politics.

To get to grips with the political moment we not only need to understand our current moment; we need to have an idea of how it developed over time. Not considering the political moment from an exclusively contemporary point of view, this conference also calls for proposals that focus on the formation of the political in relation to its emptying-out from the late Middle Ages to the present.

Contributions in the form of a 4000 words positioning paper distributed in advance and to be discussed in a seminar setting could address (but are not limited to) the following issues: what is a political moment? What does the emptying-out of the political imply? How has the appropriation of the political by state, religion or media shaped the conditions of possibility of the political? What is the role of the moment in politics?

Confirmed speakers include: Mieke Bal, Bruno Bosteels, Rosi Braidotti, Simon Critchley, Martin van Gelderen, Olivier Marchart, Patchen Markell, Benjamin Noys, and Alberto Toscano.

If you are interested in participating, please send in a 300-words paper proposal and a short résumé of your current research by January 15 2010 to Frans-Willem Korsten, Professor of Literature and Society, Erasmus University Rotterdam, email: korsten@fhk.eur.nl; and/or to Bram Ieven, lecturer in comparative literature at Utrecht University, email: b.k.ieven@uu.nl.

For more information see: www.waitingforthepoliticalmoment.org

Tangled Network, used under CC-BY-SA

by Bruno Girin

I’ve just published an article in the new issue of the open access journal Fibreculture. This is the abstract:

This paper argues for a sceptical approach to the political promise of Web 2.0. In particular it examines critically the claims made about participation and the ‘network public sphere’ in Yochai Benkler’s The Wealth of Networks. Moreover it argues that the work of Bernard Stiegler and that of others in the Ars Industrialis group cofounded by Stiegler can help inform a more nuanced account of the relationship between politics, participation and technics. It looks specifically at the arguments in Marc Crépon and Bernard Stiegler’s recent book De la démocratie participative, written during the recent French presidential campaign, and examines how the idea of participation articulates with key themes in Stiegler’s philosophy of technics. Finally it suggests some ways in which this debate on participation might be moved on.

Clay Shirky, Nicholas Carr and Yochai Benkler on the end of newspapers.

(via Lawrence Lessig): Unbounded Freedom is the title of a new book by Rosemary Bechler which is billed as a ‘a guide to Creative Commons thinking for cultural organisations’ and is backed by the British Council.

The book is freely available online under a Creative Commons license. It seems as if it could be a useful resource for teaching as well as cultural organisations.