The collection of essays I have edited with Mark Goodall is out with Amsterdam University Press. The book is in the Recursions series edited by Jussi Parikka, Anna Tuschling, and Geoffrey Winthrop-Young. The book highlights innovative work in the developing field of media archaeology. It explores the relationship between theory and practice and the relationship between media archaeology and other disciplines. There are three sections to the collection proposing new possible fields of research for media studies: Media Archaeological Theory; Experimental Media Archaeology; Media Archaeology at the Interface. The book includes essays from acknowledged experts in this expanding field, such as Thomas Elsaesser, Wanda Strauven and Jussi Parikka.
Table of Contents
Introduction (Ben Roberts and Mark Goodall)
PART 1: EXPERIMENTAL MEDIA ARCHAEOLOGY
1 Media Archaeology as Laboratory for History Writing and Theory Making (Wanda Strauven)
2 Doing Experimental Media Archaeology: Epistemological and Methodological Reflections on Experiments with Historical Objects of Media Technologies (Andreas Fickers and Annie van den Oever)
3 The Ghosts of Media Archaeology (Mark Goodall)
4 (game)(code): re-playing program listings from 1980s British computer magazines (Alison Gazzard)
PART 2: MEDIA ARCHAEOLOGICAL THEORY
5 Cinema, Motion, Energy, and Entropy (Thomas Elsaesser)
6 Collector, Hoarder, Media Archaeologist: Walter Benjamin with Vivian Maier (Peter Buse)
7 Media Archaeology and Critical Theory of Technology (Ben Roberts)
PART 3: MEDIA ARCHAEOLOGY AT THE INTERFACE
8 The Cube: A Cinema Archaeology (Angela Piccini)
9 Inventing Pasts and Futures: Speculative Design and Media Archaeology (Jussi Parikka)
is a fine,green powder.???? ??
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?????That,and the repairs when I brought the pieces to the station,
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overturning a chair and knocking a servant down,?? ????andin the midst of the general surprise seized the lamp,
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????? ??Two armored cars full o soldiers at the end o the valley.The shot was fired in the air.
and began to laugh,for the first words she sawwere,??? ?????
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??? ??or rather slight,and somewhat above the medium height.
as Sallie says shedoes,to amuse herself,??? ?????
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he –and a holder for his blower,so that he needn’t burn up what Amy calls ‘mouchoirs.?? ????
to trace the course of my miserable profligacy here—a profligacy which set at defiance the laws,??? ??while it eluded the vigilance of the institution.
found himself committing a vile or a silly action,for no other reason than because he knows he should not? Have we not a perpetual inclination,??? ??
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laughing,as she wentinto the study,??? ?????
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